Sustaining Cultural Aesthetics in Design for Cultural Identity
As the world is merging in a melting pot of the ever advancing technological market, training young industrial designers has become more and more challenging. With the limited time and credit hours requirement, there are more students to teach than twenty years ago. On one hand all basic design fundamental principles have to be continuously taught, while on the other hand proficiency in technological skills such as CAD and rapid prototyping is becoming dominating the industry. As design educators we find ourselves unintentionally teaching more skills than equipping students to be responsible thinkers. In the mist of the old and new, design students are striving in learning the advance trend in design and technology, unknowingly one of the most important aspects of design is being neglected, namely, culture. Culture that we design for, and culture that we originated from, have been somehow lost in the design classroom. This paper is an experiment of a teaching approach that intentionally uses cultural aesthetics as the focus in product form development. The approach has been used and refined in the last two years through an annual study abroad design exchange program between Auburn University and Shu-Te University. The attempt is to develop a systematic model to reinforce Taiwan design students in understanding of the important role of culture, and incorporating cultural aesthetics in design. It is our desire to continue to explore and develop the approach in hope that it would plant a seed of cultural concern to the new generation of designers
Keywords: Culture, Cultural Aesthetics, Product Design
Prof. Tin-Man Lau
Professor, Department of Industrial Design, Auburn University
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Dr Chyun-Chau Lin
Instructor, Department of Product Design, Shu-Te University
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Dr. Nien-Te Liu
Assistant Professor, Department of Product Design, Shu-Te University
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Prof. Chiu-Te Chiu
Associate Professor, Department of Product Design, Shu-Te University
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Ref: S08P0141